House of Leaves - Books.Infosec.Exchange

Hardcover, 376 pages

English language

Published Nov. 11, 2006 by Pantheon.

ISBN:: 978-0-375-42052-8

(1 review)

A young family moves into a small home on Ash Tree Lane where they discover something is terribly wrong: their house is bigger on the inside than it is on the outside.

Of course, neither Pulitzer Prize-winning photojournalist Will Navidson nor his companion Karen Green was prepared to face the consequences of that impossibility, until the day their two little children wandered off and their voices eerily began to return another story—of creature darkness, of an ever-growing abyss behind a closet door, and of that unholy growl which soon enough would tear through their walls and consume all their dreams.

3 editions

FediversalPublicFriend@bookwyrm.social reviewed House of Leaves by Mark Z. Danielewski

Best known for an underused gimmick

4 stars

The typesetting stuff in House of Leaves is unique, clever, impressive from a technical standpoint, and certainly not like anything I had ever seen before. Unfortunately, it is often little more than a gimmick — some of the most striking and complex printing in the entire book is used for what amounts to filler, never used for anything with more depth than adding some visual flair to a linear text. That might be enough for some, but it was hard not to be disappointed after hearing so much about the the novel's legendary reputation.

I enjoyed the book. I enjoyed the academic/informational presentation of the main text, I enjoyed the house and the analysis surrounding it, and I enjoyed some of the narrative around Johnny Truant, even if I found his footnote interjections mostly tedious and annoying, particularly earlier into the novel. I don't think I would have enjoyed these …

The typesetting stuff in House of Leaves is unique, clever, impressive from a technical standpoint, and certainly not like anything I had ever seen before. Unfortunately, it is often little more than a gimmick — some of the most striking and complex printing in the entire book is used for what amounts to filler, never used for anything with more depth than adding some visual flair to a linear text. That might be enough for some, but it was hard not to be disappointed after hearing so much about the the novel's legendary reputation.

I enjoyed the book. I enjoyed the academic/informational presentation of the main text, I enjoyed the house and the analysis surrounding it, and I enjoyed some of the narrative around Johnny Truant, even if I found his footnote interjections mostly tedious and annoying, particularly earlier into the novel. I don't think I would have enjoyed these elements any less if the book's strange typesetting was taken out entirely, though, which seems like a real missed opportunity.